Set during Japan’s Shogun era, this film looks at life in a samurai compound where young warriors are trained in swordfighting. A number of interpersonal conflicts are brewing in the training room, all centering around a handsome young samurai named Sozaburo Kano. The school’s stern master can choose to intervene, or to let Kano decide his own path.
In 1997, before the visit of the pope to Rio de Janeiro, Captain Nascimento from BOPE (Special Police Operation Battalion) is assigned to eliminate the risks of the drug dealers in a dangerous slum nearby where the pope intends to be lodged. Captain Nascimento is trying to find a man to replace him because his wife is pregnant and he intends to quit the command and become a trainer of the new recruits. Meanwhile, the two idealistic friends Neto and Matias join the Military Police force expecting to become honest policemen and fight the criminals. However, they see only corruption, lack of competence and stupid bureaucracy in the Military Police, and after a serious incident in the Morro da Babil�nia, they decide to join the BOPE. The lives of Capitain Nascimento, Neto and Matias are entwined along the next months, first in the tough training period and then in action against drug dealers. Nascimento believes that Neto could be his substitute, but his impulsive attitudes jeopardizes his choice. Later, the intelligent Matias seems to be the correct choice, but he needs to prove that he has heart.
A film company at work. Actors arrive and depart; liaisons develop. Julie, the beautiful but possibly unstable lead, is recovering from a breakdown, aided by an older physician, her new husband. Alphonse is insecure, he babbles. When his fiance exits with a stunt man, he threatens to quit. Julie must convince him to stay. Alexandre, a consummate pro on the set, runs back and forth to the airport hoping a certain young man will visit. Severine, no longer young, hits the bottle and covers blown lines with emotional outbursts. At the center is Ferrand, the writer director, who must make constant decisions, answer a stream of questions, and deliver the film on schedule.
Guilt. Anne and Georges Laurant have a book-lined Paris townhouse, jobs at a publishing house and as the host of a high-brow talk show, and a teenage son, Pierrot, who’s on the swim team. Their dinner parties sparkle, but there’s tension. They have little to say to each other: Anne may be on the verge of an affair with a close family friend, and Pierrot is monosyllabic and out with friends some evenings. There’s new strain when they begin to receive tapes of their home under surveillance–tapes accompanied by childlike drawings of a boy and blood. Anne and Georges are unnerved, dreams give Georges a clue, but he shares little with Anne. What part of himself and his past has he kept hidden?
In a remote mountain village, the teacher must leave for a month, and the mayor can find only a 13-year old girl, Wei Minzhi, to substitute. The teacher leaves one stick of chalk for each day and promises her an extra 10 yuan if there’s not one less student when he returns. Within days, poverty forces the class troublemaker, Zhang Huike, to leave for the city to work. Minzhi, possessed of a stubborn streak, determines to bring him back. She enlists the 26 remaining pupils in earning money for her trip. She hitches to Jiangjiakou City and begins her search. The boy, meanwhile, is there, lost and begging for food. Minzhi’s stubbornness may be Huike and the village school’s salvation.
On Dry Well Lane in Beijing in 1953, Chen Shujuan and Lin Shaolong marry. A year later their son, nicknamed Tietou (Iron Head), is born. The Party is everywhere: Mao’s photograph, loud-speaker announcements, visits from the neighborhood committee. Shaolong dies in a reform camp; a close family friend, who protects Shujuan and her son partly out of guilt for lying to authorities about Shaolong, succumbs to malnutrition; a confrontation with the Red Guard leads to injury, imprisonment and death. Shujuan’s love for Tietou sustains her, and the child’s blue kite embodies hope: “I can make another for you,” says Tietou’s dad; by the end, Tietou promises this to a small child
Frdrique is a rich and beautiful woman who picks up a female street artist called “Why”. It is December and they go to her villa in Saint Tropez, which is inhabited by a couple of odd gay men. Both women fall for the local architect Paul Thomas. However Why says that she is not interested in him, so Frdrique invites him to move into the villa.
Cochin Arts and Communications will be showing Philippe Claudel’s I’ve Loved You So Long on 13th August, 2010(Friday) at 6:30 PM.
Plot
After fifteen years in prison for murdering her son Pierre, the former medical doctor Juliette Fontaine travels to Lorraine to live on probation with her younger sister La and her family. The bitter, introspective and reclusive Juliette has spent her sentence without any visitors and totally forgotten by her family and now she has problems interacting with her brother-in-law Luc and her nieces. She has to visit every other week her probation officer Captain Faur and seeks a job to rebuild her life. As days go by, Juliette gets closer to the family of her sister and befriends Luc and La’s friends, specially Lea’s colleague Michel. She slowly changes her behavior until the day La discovers the truth about the death of Pierre.
Michel Descombes is a watchmaker in the district of Saint-Paul, Lyons. He lives quietly, alone with his almost grown-up son, Bernard. One day, the police come and say Bernard murdered a FACTORY OWNER. Superintendent Guiboud asks Michel for help. But Michel realizes how little he knows about his son. He also starts to feel he is unable to blame his son.
Full Metal Jacket begins by following the trials and tribulations of a platoon of fresh Marine Corps recruits focusing on the relationship between Gunnery Sergeant Hartman and Privates Pyle and Joker. We see Pyle grow into an instrument of death as Hartman has forseen of all of his recruits. Through Pyle’s torment and Joker’s unwillingness to stand up against it the climax of part one is achieved with all three main characters deciding their fates by their action or inaction. The second chapter of Full Metal Jacket delves into Joker’s psyche and the repeated referal to the fact that he joined the Corps to become a killer. When his mostly behind the scenes job as a combat correspondant is interfered with by the Tet offensive he is thrust into real combat and ultimately must choose if he really is a killer.
