Cochin Arts and Communications will be screening Jayme Monjardim’s Olga on 30th July, 2010(Friday) at 6:30 PM.
Plot
Based upon the true story of Olga Benrio, the German-born wife of Brazilian communist leader Lus Carlos Prestes. During the dictatorship of Getlio Vargas (1930-1945) she was arrested and sent to Nazi Germany, where she was put to death in a concentration camp. After World War II began, Vargas decided to uphold the Allies.
Cochin Arts and Communications will be screening Hiner Saleem’s Vodka Lemon on 16th July, 2010(Friday) at 6:30 PM.
Plot
In a remote, isolated village in post-Soviet Armenia, Hamo, a widower with a pitiful pension and three worthless sons, travels daily to his wife’s grave. There he meets the lovely Nina, who is communing with her late husband. The two are penniless–she works in a local bar that is about to close down, while he has been forced to start selling his meager possessions. All seems hopelessly bleak, yet as Hamo begins to court Nina, their unexpected union revitalizes them.
Cochin Arts and Communications will be showing Jafar Panahi’s Offside on 10th July, 2010(Saturday) at 6:30 PM.
Plot
In Iran, women are officially banned from men’s sporting events. In June 2005, the Iran’s national soccer team has an important game against Bahrain in the Azadi Stadium for the qualification of the World Cup. A group of Iranian girls and lovers of soccer dresses like boys and unsuccessfully attempts to enter in the stadium being arrested.
Cochin Arts and Communications will be screening Khyentse Norbu’s The Cup on 9th July, 2010(Friday) at 6:30 PM.
Plot
While the soccer World Cup is being played in France, two young Tibetan refugees arrive at a monastery/boarding school in exile in India. Its atmosphere of serene contemplation is somewhat disrupted by soccer fever, the chief instigator being a young student, the soccer enthusiast Orgyen. Prevented by various circumstances from seeing the Cup finals on television in a nearby village, Orgyen sets out to organize the rental of a TV set for the monastery. The enterprise becomes a test of solidarity, resourcefulness and friendship for the students, while the Lama, head of the monastery, contemplates the challenges of teaching the word of Buddha in a rapidly changing world
Cochin Arts and Communications will be publicly screening Gurinder Chadha’s Bend It Like Beckham on 8th July, 2010(Thursday) at 6:30 PM.
Plot
Of East Indian origin of the Sikh faith, the Bhamra family have been settled in Great Britain for several years. They have two daughters, Pinky and Jessminder. While Pinky is in the process of getting married, Jessminder is preparing to play football – which is not acceptable to her parents. But Jessminder knows she is good at the sport, and she does receive considerable encouragement. Her parents are clearly uncomfortable with their daughter running around in shorts, chasing a big ball, instead of being clad in a traditional salwar khameez, and learning to cook East Indian recipes. Jessminder must now decide what’s important for her. To make matters worse, a football tournament is arranged on the very day of her sister’s marriage. Will Jessminder be able to play, or will her dreams be shattered?
A pregnant peasant woman seeks redress from the Chinese bureaucracy after the village chief kicks her husband in the groin in this comedy of justice. As she is frustrated by each level of the hierarchy and travels farther and farther away from the countryside the viewer is also provided with a look at the changing Chinese society through the verite camera used in most scenes.
Shyamalendu (Barun Chanda) is a successful executive at a fan company where he is expecting a promotion shortly. His life revolves around his work and socialising with colleagues along with his wife, Dolan (Paromita Chaudhuri). His sister-in-law, Tutul (Sharmila Tagore) comes to stay with them for a few days. She is given a tour of the life they lead – in restaurants, beauty parlours, clubs and race courses. But then crisis strikes in the form of agitation at the factory just before the shipment of a prestigious export order and Shyamalendu is held to blame. With the help of a shady labour officer, Shyamalendu averts the crisis by declaring a lock-out at the factory after staging a false riot. For his ‘efficient’ handling of the crisis, Shyamalendu is promoted and there is congratulations all around – except from Tutul, who has understood the vacuousness of Shyamalendu’s world and has hated it. Shyamalendu is left successful and desolate – at the top.
China in the 1920’s. After her father’s death, nineteen year old Songlian is forced to marry Chen Zuoqian, the lord of a powerful family. Fifty year old Chen has already three wives, each of them living in separate houses within the great castle. The competition between the wives is tough, as their master’s attention carries power, status and privilege. Each night Chen must decide with which wife to spend the night and a red lantern is lit in front of the house of his choice. And each wife schemes and plots to make sure it’s hers. However, things get out of hand…
In London, wealthy Margot Mary Wendice had a brief love affair with the American writer Mark Halliday while her husband and professional tennis player Tony Wendice was on a tennis tour. Tony quits playing to dedicate to his wife and finds a regular job. She decides to give him a second chance for their marriage. When Mark arrives from America to visit the couple, Margot tells him that she had destroyed all his letters but one that was stolen. Subsequently she was blackmailed, but she had never retrieved the stolen letter. Tony arrives home, claims that he needs to work and asks Margot to go with Mark to the theater. Meanwhile Tony calls Captain Lesgate (aka Charles Alexander Swann who studied with him at college) and blackmails him to murder his wife, so that he can inherit her fortune. But there is no perfect crime, and things do not work as planned.
